JIM AND I BY PAUL HEIDELBERG
JIM AND I
BY (c) PAUL HEIDELBERG
paulheidelberg@hotmail.com
When I left Morocco, I was planning to go
straight back to Crete, but decided to stop first in Paris, to look up George
Whitman at Shakespeare and Company.
A friend of mine had told me he had seen Jim
Morrison at the Cafe du France in Marrakesh, and Jim had told a friend of this
friend that he was heading back to Paris, but I had no no idea I might run into
Jim in my favorite cite in the world.
Another friend two years earlier had told me
about George Whitman and that I had to visit him as soon as I had the chance.
Well, the chance had not occurred until the day I had arrived in my favorite
city after I had come up through Spain and France on my way back from Maroc, my
blonde hair long and my red beard bushy, both growing out after four years in
the Air Force.
I was getting out of the service wanting
Freedom and to be a poet. Jim Morrison was wanting to be a poet after years of
being a rock star, and our paths were to cross for the first time one afternoon
at Shakespeare and Company in Paris, at one of George’s legendary teas, complete with
dirty glasses, at his bookstore.
George knew many writers Jim and I had read
for years, including poets Allen Ginsberg and Lawrence Ferlinghetti, and
novelist Lawrence Durrell.
At the “tea service,” Jim and I sat in
opposite corners of “George’s Living Room,” upstairs above Shakespeare and
Company bookstore, and we both flirted with American tourist girls, who, like
us, were paying homage to George and his shrine to Literature.
When George finally introduced me to Jim he
said, “You two should get along, you’re both go-getters."
It had not been more than five minutes when
Jim said, “Let’s go to this cafe I know about -- they have Kronenbourg bier
pression - on draft. Enough of this tea crap, let’s get some damn beer."
Forget what you might have heard about all
French beer being bad; Kronenbourg beer is very good.
Before we started our walk to the cafe, we
stood in front of the bookstore for what must have been a minute or more,
soaking in the aura of Notre Dame Cathedral across the Seine, taking in the
City of Light we had both made it to, ready to quench our thirst with some
good, cold French bier. Back then bier pression could be had in a nice, clean
cafe, like a great serving of Pommes Frites avec moutard from a sidewalk vendor
on the Boulevard St. Michel, for about 25 cents U.S., or less.
At the café Jim and I had two wonderfully
fresh and cold Kronenbourg drafts each before Jim excused himself to go the
loo, as the British say (I had figured that Jim had started drinking that day
way before he made it to George’s tea service).
As soon as Jim was out of sight, the most
beautiful woman I had ever seen – a beautiful blonde – came up to me and said,
“Aren’t you from Venice Beach? That’s where I am from in California.”
“No, I am from Texas,” I answered rather
stupidly. “I’m traveling Europe after getting out of the Air Force in Greece;
but when I go back to the States I think I’m heading to California. Have a
seat, if you’d like; this other one is occupied; he’s in the john.”
She pulled up a chair and said her name was
Jennifer. I ordered her a Kronenbourg bier pression and two more each for Jim
and I.
As Jim was returning from the loo, Jennifer
half-whispered, “Is that who I think it is?”
“That is who you think it is,” I replied.
“Holy merde,” Jennifer said. “I know he’s
from Venice Beach, or used to be, anyway.”
As Jim sat down, I said, “Hey brother, here
is a sister from California.”
“She’s a damned good looking sister from
California,” he said as he stared into her big blue eyes.
Well, that was one hell of a party we had
that afternoon in the little café off Place St-Sulpice. I don’t know how many
bier pressions we downed, but I do know the waiter had to clear the table
several times. Throughout that afternoon that turned to twilight with the bells
of Eglise St.Sulpice chiming in the background, I thought, “Am I going to have
to compete with Jim Morrison, the Lizard King, for this beautiful woman, the
most beautiful woman I have ever seen?”
As far as the beer drinking went, I was
reminded of my first visit to the Hofbrauhaus in Munich, when I expected a
Sunday afternoon visit to be tame, but ended up working an eight hour shift,
drinking 20 liters of beer at 35 cents U.S. a pop from two in the afternoon to
10 at night. We drank nowhere near that amount, but the ham and cheese
sandwiches and hard-boiled eggs we had to go with all the drinking did not do
much to keep all of us from getting fairly blasted.
Jim and I were both taken with beautiful
Jennifer. We both told her we liked a woman who liked to drink and was able to
handle it.
The evening turned into night as the three of
us drunk in Paris, literarily, as we played tunes on the café’s jukebox, which
included Doors songs, including Light My Fire and Crystal Ship.
It was all like a dream to me. In the same day,
I meet Jim Morrison and the most beautiful woman I had ever seen. Could it have
been a dream, I thought. Was this really happening? What had happened to bring
us together in the most beautiful city in the world. And who was going to get
the girl I thought, as if we were playing a scene in some movie, a film by
Fellini or maybe Cocteau as the drinks flowed and that surrealistic day turned
into a night for the ages, a night one dreams about on boring, mundane days,
when the tedious happenings of existence make you feel as if you are some robot
worker in a factory, wanting a drastic change, wanting moments of joy and
celebration, celebrating life with friends you will remember forever, for the
rest of your life.
(End of fiction prose; what follows is
non-fiction. So reader, Dream On. Dream On and become an ecrivain, a writer,
yourself. You play God as you create characters from nothing, as you dream
about being in the little café in Paris’ Sixth Arrondissement, at the center of
the most beautiful city in the world. For a full-length work of my fiction, go
online to a site such as Amazon to get my book COOK’S RETURN, a novel of art,
love and landscape set in Paris and on the idyllic Greek island of Crete.
French painter Simone Doumergue is one of the protagonists.)
(Beginning of non-fiction prose.)
As the poem below states, this writer flew
back to the States from Europe after one and a half years in the Air Force,
stationed in Crete, Greece, and six months traveling Europe after an Overseas
Discharge, on the weekend of July Fourth, 1971. My plane from Athens to JFK
Airport in New York might have very well been flying over Paris at the very
moment Jim Morrison was dying in the City of Light.
Also, in Crete, in the Spring and Summer of
1971, I met a guy from California who was a dead ringer for Jim Morrison – and,
like Morrison and me, he liked to drink beer.
On several occasions, people who had seen us
together came up to me and asked, “That isn’t who I think it is, is it?”
One afternoon my Jim Morrison look-alike friend
and I took a swim that might best be described as harrowing; it happened on a
wild surf day at Matala on the Southern Coast of Crete.
A German filmmaker with a 16mm camera filmed
our adventure, in which we bobbed in the churning water near the caves at
Matala in waves that seemed to be 20 feet or more, as they crashed against
nearby rocks.
Well, we made it and took celebratory showers
afterwards to wash off the salty sea.
(I have searched the Internet for that bit of
film and would love to see it.)
And, the person who became Jennifer did
exist.
And she did come up to me on our hotel roof
in the Moroccan seaside town of Essouira, and she did ask me “Aren’t you from
Venice Beach?”
We were having a great conversation on that
rooftop in a place that must have greatly resembled the hotel rooftop in Venice
Beach that Jim Morrison for some time called home.
I also clearly remember we were interrupted
by an American couple who came up to us, the guy drawn to beautiful “Jennifer.”
I remember thinking, “Aren’t you already with someone – leave us alone.”
Well, he didn’t leave us alone and he
certainly ruined the great time “Jennifer” and I were having. I think that was
the only time “Jennifer” and I were together.
So, let me raise a glass of remembrance and
toast my two good friends from decades past. The beautiful “Jennifer” I spent a
brief time with in Maroc and my Jim Morrison look-alike friend I knew for weeks
at Vai and Matala, Crete.
“Cheers, Ein Prosit and Ya Harrah.”
To end this trilogy of sorts, I will paste
the long poem, Back To Europa, taken from www.paulheidelberg.com.
(Pasting sometimes corrupts spacing, etc.)
BACK TO EUROPA
Back to Europa
after a Christ's life:
July Fourth weekend
1971
to 2004 –
I probably flew
over Morrison
while he was dying in
Paris –
Athens to New York City,
nonstop.
The clouds are
rolling in,
crawling up
the mountain,
breaking the
heat wave?
There has been
a heat wave
and it's 64 degrees F
at 10 am,
July 3, 2004 –
not bad,
if you can get it.
The internet café
in this village of Bubion
took a week's vacation
without telling anyone,
except for me,
after I inquired
during the first day
of stoppage,
knocking on the
ancient
wooden door
that must be
at least
200 years old.
At the café
resides the town's
neatest dog,
Nolo,
a friendly
perro
who followed me home
by scent
the first time
I met him.
Finches, sparrows
and other bug chasers
circle and dart
in the blue, blue sky:
I still haven't
seen an eagle or a hawk,
but the little birds
wake me
in the mornings.
My writing table
overlooks my patio
which overlooks
4,000 feet of mountains;
perhaps the best time
is at night,
two lights only
from two houses
on the mountain to the right,
no lights from no houses
on the mountain to the left,
but there is the smooth flow
of taillights
and headlights
on the Bubion to Pampaneira
mountain road –
reminding me of
mountain traffic on Crete ,
twisting, twisting, twisting –
I will stay right
where I am,
thank you,
except for walks
to Capileira,
it's 140 meters higher,
and cooler,
anyway.
I may desire
this heat
in the winter.
The steps to this
casita blanca
may be hard to
negotiate with snow –
they are difficult enough
now,
eclipsing the
Bubion to Capileira
trek
two days ago.
The clouds
are bringing
the smell
of roses and other
flowers,
or is that a
woman's perfume?
At 10:50 am
the clouds have
arrived en masse,
my head is
in the clouds,
mi cabeza esta
en las nubes.
Two mujeres
and one hombre –
they walked
three roads,
uphill.
Perhaps they were children
during the Civil War;
they left to
ecape Death,
and now,
Viejos,
return to their childhoods
amidst wild flores .
We speak apolitically,
“muy bonita flores ,”
I say.”
“Si,”
the oldest one says,
bunches of flowers in one hand.
The mountains here
are alive
in the day and night;
it is life
as many of us
left it
decades ago.
It is life
screaming
let me be seen,
screaming
cante jondo,
let me be seen.
Later,
the stars at night
look like lights
on the mountains,
but they are not lights
on the mountains,
they are stars
in the skies,
they look like lights,
but they are not,
they are
estrellas
en la noche.
From these mountains,
and the melting snows,
flows
the cleanest and
freshest and coldest
water,
and it is
everywhere,
everywhere:
at fountains
in villages and the country
where you can refresh
yourself on the hottest afternoon;
the tap water
is the best
since Salzburg,
and may be better.
I left the path
from Bubion to Pampaneira
in this Poqueira ravine,
pushing through blackberry bushes,
bloodying my knee on thorns,
to reach a
waterfall
beneath shade trees:
I had seen
the water in Bubion
rushing as fast
as I had ever seen.
Here, downstream,
it was a torrent –
the noise had
attracted me
to the spot.
Sitting on a rock
near the waterfall,
I watched and listened,
fascinated,
the roar
of the whitewater
was all that
could be heard.
The water also
brought coolness,
as it does in these mountains,
and I stayed there
for twenty minutes or longer.
I left carefully –
a wrong step
on the rocky slopes
surrounding the torrent
would have sent me into it.
The sparrows
continue
to talk and hop
and then I read
Kazantzakis speaking of
sparrows breaking
your heart.
It is still cool.
it began with a heat wave –
96 in the shade.
Now it is
cool
afternoons and evenings
and mornings –
your toes cold
on the tile floor.
Despues cuatro semanas,
I see my hawks, or eagles,
high overhead,
above my patio,
circling and hunting.
The next day
I see the pair again,
flying lower so I can
see
their white colors,
maybe they are the
Spanish Imperial Eagles
I have read about.
Radio Nacional Espana
Classical:
may be the best
classical station
I have heard
in my life
(and that includes you, KDIF,
back in San Francisco
in the old days
before
insufferable radio commercials
that station must now play,
if it still exists,
and you,
Radio France ).
RNE broadcast
live
from the Bayreuth Festival
a week
of Wagner,
including The Ring,
in eight hour stretches
with intermissions.
RAI Italy and others
could only handle a
dos y media ora
piece.
The announcer
calls the audience,
“amigos.”
Si, nosotros
estamos
Amigos en Arte,
Amigos en Arte.
The coolness
went and came again,
August Fourth:
10:30 am – 66 degrees F.
August Fourth:
1:55 pm – 74 degrees F.
The light bursts into the eyes
each day here
from about
four pm to eight pm;
this light is intense.
This intense light
could kill.
I drank from the
grandparents' coffee cup
as I awoke today;
their nail-spike
stands on my mantle,
reminding me of
nails
I saw fashioned
in Oberwesel, Germany
at a Medieval festival
in 1986.
The nails are probably
from the same time:
the time of the ancient,
heavy dark doors
set into the
white plastered houses
throughout this village of
Bubion.
I am staying away from
Poqueira kid.
I wasn't here a week
when I saw a trailer
of too silent
brown and white
kid goats
going to market.
I will pass on the goat,
thank you.
Here
they pour extra virgin
olive oil on bread
as if the oil
were honey –
beautiful golden colored
olive oil
from Cordoba
where the Spanish heat
continues on this
sixth day of August –
far below these
Sierra Nevada mountains.
Last night I listened
to Thelonious
on the Bubion-bought
Philips micro stereo:
that early 1940s
Monk fits here:
the acoustics of this house,
and whatever else?
Soon I will return to the
Casa Lucia bodega
in Capileira,
where I found five-year old
Alpujarras oloroso vino
aging in huge barrels.
Next time
I will try
the Malaga Dulce –
they say Shakespeare
loved this wine.
Later,
I am sitting
beneath
the corn
and trees
with grasses bending
in a cool breeze,
listening to a
Ravel Quartet
on RNE.
They started
the fireworks
in Pampaneira
for Saint's Day
(in Pamplona
the annual July festival
is in honor of San Firmin) –
I saw the plumes
of smoke
rising
after hearing
what sounded like
cannon fire.
Those lines
on the distant mountains
are firebreaks
I learned,
not ancient roads –
extraterrestrial
or terrestrial.
A quarter hour later,
mas or meno,
I am still
watching
the grasses bend
near the plateau
where I have seen
wild boar and mountain goat
droppings.
I have to come here
some morning at three am
and see
what I see.
I am writing lines
on the trees'
shadows
on paper.
Otherwordly, it is.
Shadows on
lined paper
before coughing
punctuates Ravel.
A couple just
walked by,
rough looking
local country folks,
not tourists –
I give thanks.
I wrote 20 years
ago
we are all
tourists.
That assessment
is becoming
alarmingly true.
I just looked
down 100 feet
to three kid goats
and two adults,
grazing and resting.
The “baby goats”
as one menu
read,
look, and move, like
dogs or cats.
A regular
family outing
this is:
Beethoven would love them
and this bucolic scene.
Yes, I will try
to stay away
from kid goat.
The next day:
the ravine rattles
with bomb-like
fireworks –
these are not sky-pretty
delights:
these are thunderous
explosions.
They could be
the cannons of
King Philip IV
who reigned
when Spain
ruled Napoli ,
Sicilia and Milano.
So, thanks to Nikos,
I am back in Europa again.
Thanks to Nikos,
I am alive.
Nikos would love
these mountains.
I watch the sun set
behind the same mountain
every night,
the palomas blancas
then flying
from the church
to my roof.
I do owe my life
to Kazantzakis,
Helen.
He was a friend,
indeed.
I went to Crete ,
at my request,
because of your husband;
otherwise, I learned
after my asking,
it would have been
Vietnam,
where I would
have probably found
no bueno suerte.
I visited Nikos'
grave in Iraklion often
for two years:
“I hope for nothing,
I fear nothing,
I am free,”
is how the marker reads –
no mention of name
or date of birth or death.
These mountains
are like the mountains
that frame
his rocky burial ground.
Yassu, Nikos,
and,
Efkaristo.
When I feed
the sparrows,
I will thank you,
when I see
the Alpujarras Dance
that appears Cretan,
I will thank you,
for the rest
of my life,
wherever I may be,
let me remember
to thank you –
Yassu, Nikos,
and,
Efkaristo Parapoli.

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